Grab Your Flower Crown and Call Your Therapist, It’s Time for ‘Midsommar’Much Ado About Cinema
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'Annabelle Comes Home' - I Laughed, I Gasped, I JumpedNightmare On Film Street
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Come for the Cult, Stay for the Queer Representation in 'Hallowed Ground'Nightmare On Film Street
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Michael Dougherty Proves Godzilla is King of the Summer in 'Godzilla: King of the Monsters'Nightmare On Film Street
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‘Tater Tot & Patton’ is a Beautiful Piece of Quiet Cinema About Healing and ConnectionMuch Ado About Cinema
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Jenn Wexler Beautifully Blends Punk Rock and 80s Slashers in ‘The Ranger’Much Ado About Cinema
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‘I Trapped the Devil’ is a Tense, Yet Slow, Look at Evil
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Enter Disgusting and Bewitching Madness in 'Hagazussa'
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Claire Denis' 'High Life' is a Stellar Yet Disturbing Mediation on Sexual PowerNightmare On Film Street
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‘Pet Sematary’ Struggles with The Past But Delivers Delightfully Original ScaresMuch Ado About Cinema
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Larry Fessenden’s ‘Depraved’ is A Mess of Limbs, Organs, and EmotionsMuch Ado About Cinema
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‘Funan’ Further Proves The Emotional Impact of Animation
Much Ado About Cinema
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Yeo Siew Hua Creates a Dreamy Singaporean Noir in ‘A Land Imagined’
Much Ado About Cinema
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2050 Grapples With Sex Bots, Love, and Relationships In a World Obsessed with TechnologyNightmare On Film Street
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‘Knife+Heart’ Is The Sexy Queer Slasher Of Your Dreams
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It’s More Complicated Than Serial Killers in ‘Smaller and Smaller Circles’Much Ado About Cinema
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Isabelle Eklöf’s ‘Holiday’ Portrays a Harrowing, Violent Reality
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Criterion Reviews: ‘Stalker’
Much Ado About Cinema
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‘Horror Noire’ Demonstrates Why Black Horror Films Deserve Your AttentionMuch Ado About Cinema
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‘Braid’ Is a Psychedelic Punch to Your Eyeballs
Much Ado About Cinema
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‘Polar’ Is A Fun, Over-The-Top, Polarizing Action Romp
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‘Pledge’ Questions the Horrors of Toxic Masculinity and College Social LifeMuch Ado About Cinema
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'Rust Creek' Rethinks The Final Girl and 'Scary Redneck' Trope
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‘Bird Box’ Tries to Soar But Instead Falls Flat
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‘The Favourite' is a Disgustingly Beautiful Look at Love, Rivalry and GoutReel Honey
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In His Most Self Aware Film Yet, Lars Von Trier Proves He Still Doesn’t Care About WomenMuch Ado About Cinema
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‘Border' is a Melancholy Fairytale About What It Means to be Loved
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‘Cam’ is a Humanizing Portrayal of Sex Work and a Horrifying Look at the InternetMuch Ado About Cinema
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Playing With Zombies in ‘One Cut of the Dead’
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‘Halloween’ (2018) is an Effective and Gory Examination of the Lasting Effects of TraumaMuch Ado About Cinema
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Searching for Justice in ‘Hold The Dark’
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Lizzie Attempts an Interesting Reimagining, But Misses the Mark
Nightmare on Film Street
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‘The Wife’ Is A Painful Look at the Poison of Patriarchy
Much Ado About Cinema
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Ghosts Aren’t the Only Things That Haunt Us in ‘The Little Stranger’Much Ado About Cinema
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The lesbian slasher What Keeps You Alive challenges the horror genrePolygon
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