When Catharsis Doesn’t Cut It | RogerEbert.com
Shin Godzilla Captured the Terror of the Original, Six Decades Later | Paste Magazine
Changing Horror's Sexual Paradigm in 'Crone Wood' | Certified Forgotten
Robots, Cars and AI - Oh My! Jumbo Progresses Our Onscreen History of Wanting to Have Sex with Machines | Paste Magazine
Female Filmmakers: Reclaiming An Exploitative Genre | Shudder's The Bite
How ‘Hell House LLC’ Gives Life to the Abaddon Hotel | Certified Forgotten
The Wanting Mare Reminds Us “Epic” Is Not the Only Path for Fantasy Storytelling | Paste Magazine
Bryan Bertino and 21st-Century Nihilism | Film School Rejects
PVT Chat and Masturbation in the Digital Age | Paste Magazine
On the Disempowerment of Promising Young Woman | RogerEbert.com
Horror TikTok Solidifies Found Footage's Evolution into Digitally Discovered Horror | Paste Magazine
2020 Was the Year of Found Footage and Creative DIY Filmmaking | Film School Rejects
The 20 Best Animated Series of 2020 | Film School Rejects
The 10 Best Christmas Horror Films: Let Those Slay Bells Ring | Zavvi
The Portrayal of OCD in 'Black Swan' | Film School Rejects
Make the Yuletide Gay: Why We Need More Queer Christmas Movies | Film School Rejects
How 2011 Found Footage Horror Megan Is Missing Brought TikTok Together in 2020 | Paste Magazine
Video Nasties, Censorship And A Celebration Of The Extreme | Zavvi
The Ending of 'Possessor' Explained | Film School Rejects
Paul W.S. Anderson Is The King Of Video Game Adaptions | Thrillist
The Ending of 'The Matrix' Explained | Film School Rejects
The Evolution of Male Nudity in Rape-Revenge Films | Certified Forgotten
The Ending of ‘Neon Genesis Evangelion’ Explained | Film School Rejects
'Webcast': A Movie Marriage Of Found Footage And Folk Horror | Certified Forgotten
The Timeless Nihilism of ‘Se7en’ | Film School Rejects
Realizing You're Just a Fantasy in I'm Thinking Of Ending Things | RogerEbert.com
The Honest and Complex Portrayal of Immigration in ‘Lingua Franca’ | Film School Rejects
How One Shot from ‘Host’ Encapsulates the Film’s Horror | Film School Rejects
Host And The Cultural Relevance Of Found Footage | Shudder's The Bite
The Multifaceted Career of Brendan Fraser | Film School Rejects
A Journey Down Elm Street: Reflections On The Nightmare On Elm Street Franchise | Zavvi
The Many Faces of Peter Stormare | Film School Rejects
Chicken Run At 20: Ginger, Female Empowerment And Revolutionary Spirit | Zavvi
DOGTOOTH, Yorgos Lanthimos' Strange Reflection On Control, Celebrates 10 Years | Nightmare On Film Street
Diary Of A Teenage Girl: On The Wry Optimism And Weird Girl In Juno | READ ME: Girls On Tops
Thank You | Haw Creek Horror
When A Prank Backfires: Revenge In Brian De Palma’s Carrie | Zavvi
The Trouble With Memory and Control in The Works of Alex Garland | Film School Rejects
Femininity and OCD in Swallow | RogerEbert.com
[Editorial] Battling for Control in the Face of Trauma in ‘Swallow’ | Bloody Disgusting
Woman as Alien in Dorothy Arzner's 'Christopher Strong' | Film School Rejects
Ultraviolence: On Color Out Of Space And Adapting Lovecraft | theQuietus
Sins of the Father: How Horror Can Break The Ties That Bind | Haw Creek Horror
An Apple a Day Does Not Keep the Creepy Men Away in ‘Revenge’ | Film School Rejects
Horror Movies, They’ve Always Been Political | Zavvi
Dancing Aliens And A Screaming Christopher Walken: COMMUNION As A Camp Masterpiece | Nightmare On Film Street
10 Years of Blending Truth and Fiction in 'Lake Mungo' | Daily Grindhouse
Trouble At Sea: Maritime Superstition In The Lighthouse, Sea Fever And Harpoon | theQuietus
The Dread Lurking In The Shadows Of ‘The Strangers’ | Film School Rejects
Harry Potter And The Prisoner Of Azkaban Is A Horror Movie. Here's Why | Nightmare On Film Street
15 Years Later, CONSTANTINE Still Serves As A Unique and Fascinating Vision Of Hell | Nightmare On Film Street
Recognizing the Predatory Gaze in ‘Mandy’ | Film School Rejects
10 Of The Best Horror Soundtracks To Own On Vinyl | Zavvi
After 10 Years, DAYBREAKERS Serves As A Story About Surviving Trauma | Nightmare On Film Street
The Scariest Scene in ‘Hereditary’ Is Its Simplest | Film School Rejects
A Bird’s Eye View of Fear in ‘30 Days Of Night’ | Film School Rejects
[Invisible Week 2020] THE X-FILES ‘Je Souhaite' is a Comic Change of Pace | Daily Grindhouse
The Surprising Body Horror in ‘The Rise of Skywalker’ | Film School Rejects
[New Year's Eve of Destruction 2019] THE END OF EVANGELION (1997) | Daily Grindhouse
Creating Fear Using the POV Shot | Film School Rejects
The Many Romances and One True Love of Dr. Manhattan | Film School Rejects
Leather As Power In Turn-Of-The-Millennium Genre Film | Film School Rejects
Zavvi’s Best Movies Of The Decade: Hereditary | Zavvi
99 Percent Savior: In Contemporary Horror, It’s the Final Girl versus the Rich | Bitch Mag
Monster Mash: Televisual and Vaginal Body Horror in ‘Poltergeist’ and ‘Videodrome’ | Much Ado About Cinema
When The Party’s Over: How Women Reclaim The Rape-Revenge Story | READ ME: Girls On Tops
The Complicated Power of Princess Mononoke’s Villain, Lady Eboshi | Film School Rejects
The Arrow Video Titles You Need To Watch This Halloween | Zavvi
The History and Transformation of the Final Girl | Film School Rejects
In ‘Alien,’ Horror Comes In The Form of Labor Exploitation | Film School Rejects
Cinema’s Deadliest And Most Terrifying Horror Games | Zavvi
The gut-wrenching predictions of Satoshi Kon’s masterpiece 'Perfect Blue' came true | Polygon
Navigating Male Fantasy in Charlie Says and Once Upon a Time… In Hollywood | READ ME: Girls On Tops
15 Years Ago, M. Night Shymalan's THE VILLAGE Gave Me A Role Model | Nightmare On Film Street
[Editorial] The Emotional Rise of Cosmic Horror | Bloody Disgusting
From Page To Screen: Examining 30 Days of Night's Trek From Graphic Novel To Film | Nightmare On Film Street
'Midsommar' takes a step forward and a step back in its portrayal of mental illness | Polygon
Queen of the Hill: 7 Films That Wouldn't Exist Without Legendary Producer Debra Hill | Nightmare On Film Street
Horror, OCD, and Me | Much Ado About Cinema
Using Animation to Imagine Terrifying, Glorious, and Queer Futures in ‘Love, Death, and Robots’ | Much Ado About Cinema
“Who The Fuck Is On Top Their First Time?” Demystifying Virginity in Lady Bird and Beyond | READ ME: Girls On Tops
Female Director Spotlight: The Radical, Feminist, and Czech Filmmaking of Věra Chytilová | Much Ado About Cinema
10 Rising Female Horror Directors to Watch | Nightmare On Film Street
