Bitch Mag

99 Percent Savior: In Contemporary Horror, It’s the Final Girl versus the Rich

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Bloody Disgusting

[Editorial] The Emotional Rise of Cosmic Horror

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Daily Grindhouse

They Want To Suck Your Blood: Mary Beth McAndrews' Best Vampire Movies of the Decade

[New Year's Even of Destruction 2019] THE END OF EVANGELION (1997)

[Rocktoberfest 2019]  SUCK is Campy Vampire Fun Wrapped In A Rock'N'Roll Package 

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Film School Rejects

​Hollywood’s J-Horror Remake Mistake

A Bird’s Eye View of Fear in ‘30 Days Of Night’

The Scariest Scene in ‘Hereditary’ Is Its Simplest

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Grim Mag

High Tension, Cheap Scares: How Lesley Manning's 'Ghostwatch' Shaped Found-Footage Horror

Possession As Comfort In 'The Blackcoat's Daughter'

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Much Ado About Cinema

Horror, OCD, and Me

​Monster Mash: Televisual and Vaginal Body Horror in ‘Poltergeist’ and ‘Videodrome’

In A World of Pure Animation: 8 Best Animated LGBT+ Films and Shows

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Nightmare On Film Street

After 10 Years, 'Daybreakers' Serves As A Story About Surviving Trauma

Hark , The Herald Horrors ing: How Horror Has Taken Angels And Made Them Scary

Top 10 Female Performances of 2019 

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Polygon

The gut-wrenching predictions of Satoshi Kon’s masterpiece 'Perfect Blue' came true

'Midsommar' takes a step forward and a step back in its portrayal of mental illness

The lesbian slasher What Keeps You Alive challenges the horror genre

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READ ME: Girls On Tops

When The Party’s Over: How Women Reclaim The Rape-Revenge Story

​Navigating Male Fantasy in Charlie Says and Once Upon a Time… In Hollywood

“Who The Fuck Is On Top Their First Time?” Demystifying Virginity in Lady Bird and Beyond

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theQuietus

Ultraviolence: On Color Out Of Space And Adapting Lovecraft

Trouble At Sea: Maritime Superstition In The Lighthouse, Sea Fever And Harpoon